Running time: 195 minutes, One Interval
Sung in Italian with English subtitles.

Synopsis:
Following triumphant Met turns in Roméo et Juliette, La Traviata, and Lucia di Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga returns after his acclaimed 2023 Met debut in L’Elisir d’Amore, co-starring as Amina’s fiancé Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works.

Running time: 210 minutes (To be confirmed)

Synopsis:
Lise, the only daughter of Widow Simone, is in love with the young farmer Colas, but her mother has far more ambitious plans for her. Simone hopes to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother’s plans.

65 years after its premiere, The Royal Ballet presents Frederick Ashton’s La Fille mal gardée. This affectionate portrayal of village life combines exuberant good humour and brilliantly inventive choreography in what is undoubtedly Ashton’s love letter to the English countryside. La Fille mal gardée whisks us away into pastoral bliss with Ferdinand Hérold’s cheerful score and Osbert Lancaster’s colourful designs.