A comedy about a failing pub, a divided community and a grieving family whose lives are changed by brewing real ale and entering the Great British Beer Awards.
After 35 years in Chicago, Donal reluctantly returns to the Scottish Highlands to reconcile with his estranged older brother Sandy. Sandy needs Donal to take over the family's whisky distillery or he'll be forced to sell and give up on the family's legacy. But their reunion forces the brothers to confront the past and the real reason Donal left Glenrothan.
A porcine bounty hunter accepts his next hit: Pickles, a naive, ebullient elephant. Though he initially sets out to capture the perky pachyderm, the unlikely pair find themselves crisscrossing the globe on an adventure that brings out the best in both of them.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
Miranda Priestly navigates her career amid the decline of traditional magazine publishing. She faces off against Emily Charlton, her one-time assistant, now a high-powered executive for a luxury group, with advertising dollars that Priestly desperately needs.
As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good.
Running time: 245 minutes, Two Intervals Sung in Russian with English subtitles
Synopsis: Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly,
soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young
heroine in this ardent operatic adaptation of Pushkin. Baritone Igor
Golovatenko reprises his portrayal of the urbane Onegin, who realizes his
affection for her all too late. The Met’s evocative production, directed by
Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of …
Tchaikovsky’s lyrical romance”
(The Telegraph).